This one-off collaboration between the Cure's Robert Smith and Siouxsie & the Banshees'
Steven Severin resulted in an eccentric, and at times incompatible, mix
of psychedelic sounds wrapped around alternative '80s pop. Writers Smith and Severin's
more eccentric tendencies are as likely to evoke pictures of a carnival
as a funereal march, but the backbone rests largely on tightly
constructed tunes with occasional forays into the experimental. Jeanette Landray sings the majority of the tracks, while Smith
takes the lead twice amongst a smattering of instrumentals. Standout
tracks include the Middle Eastern-twinged "Orgy" and the more
conventional "Mouth to Mouth." Smith's distinctive warbling on the first-class "Perfect Murder" takes the album directly into Cure
territory, as do the instrumentals which could equally find a home on
Seventeen Seconds. While musically diverse, the album's lyrics rarely
stray from the dual themes of death and sex, furthering the gothic
undertones so often heard in Smith and Severin's previous work. Blue Sunshine's eclecticism makes this an interesting side note for long-time fans of the Cure and Siouxsie & the Banshees, but a somewhat more inaccessible listen for others
aCá
Thursday, January 23, 2014
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