With Every Day, Cinematic Orchestra
move beyond the electro-jazz fusion of their debut to make a record
more natural, more paced, and, surprisingly, better than the justly
hyped Motion. J Swinscoe
is more the arranger/conductor here than the producer, but of course,
there's little need for samples or effects with such an accomplished
band sharing the burden. For the opener "All That You Give," Swinscoe and Co., plus harp player Rhodri Davies, spend a few minutes delicately paving the way for a deeply felt vocal by soul hero Fontella Bass. "Burn Out" is a lush, meditative track with a pleasantly ambling solo from Phil France
on electric piano, a few appropriately cinematic-sounding horns, an
age-old vocal sample, and occasional creaking static phasing through. Bass returns for another splendid track ("Evolution"), and the mighty Roots Manuva
appears on a magisterial, spoken-word quasi-autobiography, "All Things
to All Men." Except for a pair of detours into highly programmed "broken
beat" production, Every Day is a textured, acoustic work; Cinematic Orchestra
take their time setting up these songs -- of the seven tracks, four
last over nine minutes. The sounds and styles heard may not be
revolutionary, but instead of simply pushing stylistic boundaries, Cinematic Orchestra display a real gift in making emotional, artistic music.
aCá
Tuesday, January 21, 2014
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