Thursday, June 26, 2014

add 1065 A Hawk and a Hacksaw

A Hawk and a Hacksaw and the Hun Hangár Ensemble is the album on which Jeremy Barnes finally and emphatically distances himself from the remnants of the Elephant 6 scene he had been part of as drummer forNeutral Milk Hotel: this brief, entirely instrumental album has nothing to do with indie rock in any way, shape, or form.Barnes and his fellow multi-instrumentalist Heather Trost moved to Budapest, Hungary, in 2006 to more fully immerse themselves in their beloved Eastern European folk music; recorded in Hungary with local musicians the Hun Hangár Ensemble (reedman Béla Ágoston, bassist and accordionist Zsolt Kürtosi, trumpeter and violinist Ferenc Kovács, and cimbalom player Baláza Unger), this eight-track album combines traditional Balkan tunes (given generic descriptive titles like "Serbian Cocek," "Romanian Hora and Bulgar," and "Oriental Hora") with a handful ofBarnes/Trost originals like the sweeping, majestic "Zozobra." Unlike Beirut's Gulag Orkestar (to which Barnes andTrost contributed enormously), this is not indie pop music taking the trappings of Eastern European folk music, but the thing itself, presented in a fashion that makes it potentially accessible to an audience that might otherwise not find room in its listening day for a track like "Vajdaszentivány," a dazzling medley of Hungarian folk tunes played on the hammered dulcimer-like cimbalom. Those expecting the training wheels that Gulag Orkestar (or even A Hawk and a Hacksaw's three earlier, somewhat more pop-oriented, albums) provided may find A Hawk and a Hacksaw and the Hun Hangár Ensemble a challenging listen at first, but the sheer joy of these performances should make them accessible to all but the most musically isolationist and/or accordion-phobic.

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