Forget about pristine sound quality when you listen to N'Wolof.
Recorded in 1970-1971 at the Baobab Club in Dakar that gave the group
its name, this is Senegalese music being recorded live and au naturel in
its infant stage. It's the only Orchestra Baobab album featuring original lead singer Laye M'Boup,
who died in a car accident in 1974, but the rest of the lineup features
virtually the entire band that was a major force in Senegalese music
for the next 15 years. Overall, the recording balance is pretty good,
despite the predictable rough edges, some merely OK material, and
occasional tentativeness in the playing. The great guitarist Barthelemy Attisso's crystalline melodic leads grab your attention, and the sax fills by Issa Cissokho support M'Boup's
leads on several songs, like "Chéri Takama," show the rhumba roots of
Senegalese music. But "N'Diaye" is the key track, the first time you can
hear Orchestra Baobab's
distinctive future group-sound taking shape. There are hints of the
rhythm guitar gallop moving beyond rhumba variants to what would become
mbalax and the group's trademark ragged but so human interplay between
lead and backing vocals. And then there's Attisso's
solo, which literally sounds like he's playing around with a wah-wah
pedal and the reverb switch on his amp for the first time. It's kinda
one-man dub sound science before your very ears -- just a man, his
guitar, and his amp experimenting with sounds -- yet the solo rips and
is totally musical. The mournful ballad "Aduna Jarul Naawo" has some
serious high harmonies from Thione Seck,
a braying tenor sax solo, and kinda points to the future, too. "Yaraf"
is an up-tempo rhumba-based tune that rocks out pretty strongly, and the
jaunty, buoyant finale sports what's pretty much a ska rhythm guitar
skank and another Cissokho sax solo. Is N'Wolof the best introduction to Orchestra Baobab?
Not really -- it's a record to get for historical importance, but if
you've made the decision to go deeply into early Senegalese pop music,
you won't be disappointed by the quality of the music here.
aCá
Wednesday, February 26, 2014
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