With even more of the
Fairport Convention crew helping him out -- including bassist
Dave Pegg and drummer
Dave Mattacks along with, again, a bit of help from
Richard Thompson -- as well as
John Cale and a variety of others,
Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on
Five Leaves Left didn't consist of a fluke,
Bryter Layter featured another set of exquisitely arranged and performed tunes, with producer
Joe Boyd and orchestrator
Robert Kirby
reprising their roles from the earlier release. Starting with the
elegant instrumental "Introduction," as lovely a mood-setting piece as
one would want,
Bryter Layter indulges in a more playful sound at many points, showing that
Drake
was far from being a constant king of depression. While his
performances remain generally low-key and his voice quietly passionate,
the arrangements and surrounding musicians add a considerable amount of
pep, as on the jazzy groove of the lengthy "Poor Boy." The argument
could be made that this contravenes the spirit of
Drake's work, but it feels more like a calmer equivalent to the genre-sliding experiments of
Van Morrison
at around the same time. Numbers that retain a softer approach, like
"At the Chime of a City Clock," still possess a gentle drive to them.
Cale's
additions unsurprisingly favor the classically trained side of his
personality, with particularly brilliant results on "Northern Sky." As
his performances on keyboards and celeste help set the atmosphere,
Drake reaches for a perfectly artful reflection on loss and loneliness and succeeds wonderfully.
aCá
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