Compared to the first LCD Soundsystem album, Sound of Silver is less silly, funnier, less messy, sleeker, less rowdy, more fun, less distanced, more touching. It is just as linked to James Murphy's
record collection, with traces of post-punk, disco, Krautrock, and
singer/songwriter schlubs, but the references are evidently harder to
pin down; the number of names dropped in the reviews published before
its release must triple the amount mentioned throughout "Losing My
Edge." There's even some confusion as to which version of David Bowie is lurking around. One clearly evident aspect of the album is that Murphy
has streamlined his sound. All the jagged frays have been removed,
replaced by a slightly tidier approach that is more direct and packs
more punch. Murphy
comes across as a fully naturalized producer of dance music --
especially on "Get Innocuous!" -- as opposed to a product of '90s indie
rock who has made a convincing switch-up. And yet, the album's best song
is sad, should not be played in any club, and it at least matches the
work of any active songwriter who has been praised. "Someone Great," a
bittersweet pop song built on swelling synthesizers and a dual
vocal-and-glockenspiel melody, could definitely be about a devastating
breakup ("To tell the truth I saw it coming/The way you were
breathing"), at least until "You're smaller than my wife
imagined/Surprised you were human," which could mean the song either
took a turn for the absurd or is about the death (and funeral) of a
loved one. Either way, it is the most moving song Murphy
has made, and it only helps further the notion that he should be
considered a great songwriter, not simply a skilled musician with a few
studio tricks and the occasional clever quip. The closer, "New York, I
Love You But You're Bringing Me Down," seals it: "New York, you're
perfect, oh please don't change a thing/Your mild billionaire mayor's
now convinced he's a king/And so the boring collect -- I mean all
disrespect/In the neighborhood bars I'd once dreamt I would drink." If
he keeps it up, he'll be writing songs for Pixar by 2020.
aCá
Monday, March 10, 2014
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