tag:blogger.com,1999:blog-199570862024-03-20T03:16:06.501-07:00EL ASTRO DE LOS DISCOSDesde 2006 intentando que tengas la mayor cantidad de opciones para armar la banda de sonido de tu puta vidaTomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.comBlogger1146125tag:blogger.com,1999:blog-19957086.post-23629082896127024652015-05-02T12:44:00.000-07:002015-05-04T05:41:11.328-07:00Con esto cerramos.Desde el año 2006 que estamos con Esto. Más de 2000 discos subidos sin ningún interés más allá del de la divulgación de música. Primero Nos caímos con Rapidshare. Arrancamos de nuevo con Mega. Nos noqueó también. ESto cansa.<br />
Les dejo este disco precioso.<br />
Salut<br />
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<a href="http://www78.zippyshare.com/v/MwoLCLmY/file.html">acá1</a><br />
<a href="http://www78.zippyshare.com/v/aso1eDHa/file.html">aCá2</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com5tag:blogger.com,1999:blog-19957086.post-37980783330006829902015-04-16T15:13:00.001-07:002015-04-16T15:13:26.635-07:00mejor que el hogar<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">Separating from producer Kevin Shirley for the first time in three records, Beth Hart chose to work with Rob Mathes and Michael Stevens for 2015's Better Than Home. A change in producers helped Hart change direction, letting her depart from the down-and-dirty blues belting she specialized in throughout her time with Shirley, reconnecting slightly to her singer/songwriter beginning while emphasizing deep soul roots. Despite opening with the tight Memphis groove of "Might as Well Smile," most of the album is grandly introspective -- majestic brooding ballads with a clear debt to early Elton John. This cinematic landscape provides a nice contrast to Hart's raw, nervy vocals, accentuating the aching in her delivery. This emotional immediacy compensates for the sometimes elliptical songs, songs that take a little while to settle, but the risks Hart's taken on Better Than Home pay off: this is a distinctive, ambitious record that takes advantage of her natural talents in surprising ways.</span><br />
<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"><a href="http://www46.zippyshare.com/v/SZVPOQHP/file.html">aCá</a></span>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com2tag:blogger.com,1999:blog-19957086.post-43842193604824471012015-04-12T14:43:00.002-07:002015-04-12T14:43:12.041-07:00morochita interesante<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">Stepping away from </span><a class="name-link" href="http://www.allmusic.com/artist/the-carolina-chocolate-drops-mn0001523470" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">the Carolina Chocolate Drops</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, </span><a class="name-link" href="http://www.allmusic.com/artist/rhiannon-giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Rhiannon Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> teams up with producer </span><a class="name-link" href="http://www.allmusic.com/artist/t-bone-burnett-mn0000743615" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">T-Bone Burnett</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> for her 2015 solo debut, </span><a class="album-link" href="http://www.allmusic.com/album/tomorrow-is-my-turn-mw0002796442" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Tomorrow Is My Turn</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">. </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> previously worked with </span><a class="name-link" href="http://www.allmusic.com/artist/burnett-mn0000743615" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Burnett</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">on </span><a class="album-link" href="http://www.allmusic.com/album/lost-on-the-river-mw0002740857" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Lost on the River</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, an album where musicians added new music to lyrics </span><a class="name-link" href="http://www.allmusic.com/artist/bob-dylan-mn0000066915" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Bob Dylan</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> left behind during </span><a class="album-link" href="http://www.allmusic.com/album/the-basement-tapes-mw0000199753" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">The Basement Tapes</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, and she also appeared in a concert he shepherded for the </span><a class="name-link" href="http://www.allmusic.com/artist/coen-mn0001997519" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Coen</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">brothers' folk revival opus </span><a class="album-link" href="http://www.allmusic.com/album/inside-llewyn-davis-mw0002768098" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Inside Llewyn Davis</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> -- two projects steeped in history, as is </span><a class="album-link" href="http://www.allmusic.com/album/tomorrow-is-my-turn-mw0002796442" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Tomorrow Is My Turn</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">. Here, </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> expands upon the neo-string band of </span><a class="name-link" href="http://www.allmusic.com/artist/the-carolina-chocolate-drops-mn0001523470" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">the Carolina Chocolate Drops</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> by crafting an abbreviated and fluid history of 20th century roots music -- along with the older forms that informed it -- concentrating on songs either written or popularized by female musicians. As a torchbearer, not a revivalist, </span><a class="name-link" href="http://www.allmusic.com/artist/giddins-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddins</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> isn't concerned with replicating either the sound or feel of the past, so she comfortably slips a subdued hip-hop drum loop into "Black Is the Color," a standard here credited to </span><a class="name-link" href="http://www.allmusic.com/artist/nina-simone-mn0000411761" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Nina Simone</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, and blurs country and soul boundaries on </span><a class="name-link" href="http://www.allmusic.com/artist/patsy-cline-mn0000014651" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Patsy Cline</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s "She's Got You." These two are the most overt tamperings with tradition but </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> is sly throughout </span><a class="album-link" href="http://www.allmusic.com/album/tomorrow-is-my-turn-mw0002796442" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Tomorrow Is My Turn</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, giving </span><a class="name-link" href="http://www.allmusic.com/artist/elizabeth-cotten-mn0000796950" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Elizabeth Cotten</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s "Shake Sugaree" a deceptively lively little lilt and casting </span><a class="name-link" href="http://www.allmusic.com/artist/dolly-parton-mn0000175286" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Dolly Parton</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s "Don't Let It Trouble Your Mind" as a rolling progressive folk tune that creates an invisible bridge between past and present. Much of </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">' work on </span><a class="album-link" href="http://www.allmusic.com/album/tomorrow-is-my-turn-mw0002796442" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Tomorrow Is My Turn</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> demonstrates the benefits of such careful, deliberate sculpting, making it a nice fit for </span><a class="name-link" href="http://www.allmusic.com/artist/burnett-mn0000743615" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Burnett</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s handsome acoustica. Thankfully, the austereness that sometimes creeps into </span><a class="name-link" href="http://www.allmusic.com/artist/t-bone-mn0000743615" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">T-Bone</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s new millennial work is nowhere to be found; there's a warmth that radiates from </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, which is crucial to the success of the record. Her easy, welcoming touch is a balm every time </span><a class="album-link" href="http://www.allmusic.com/album/tomorrow-is-my-turn-mw0002796442" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Tomorrow Is My Turn</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> is played, but it's upon successive spins that the intricacies of </span><a class="name-link" href="http://www.allmusic.com/artist/giddens-mn0000579234" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Giddens</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">' construction -- not to mention her subtle political messages -- begin to take hold.</span><br />
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<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"><a href="http://www73.zippyshare.com/v/uXRQaAG6/file.html">1</a>. <a href="http://www73.zippyshare.com/v/XIOd7YAM/file.html">2</a>.<a href="http://www73.zippyshare.com/v/oybjRjw2/file.html"> 3. </a></span>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-91115191069399718952015-04-01T07:16:00.001-07:002015-04-01T07:16:08.200-07:00Amsterdam<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">This double disc is an exact replication of a concert vocalist </span><a class="name-link" href="http://www.allmusic.com/artist/beth-hart-mn0000044776" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Beth Hart</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> and guitarist </span><a class="name-link" href="http://www.allmusic.com/artist/joe-bonamassa-mn0000118243" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Joe Bonamassa</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">performed in Amsterdam in support of their studio album </span><a class="album-link" href="http://www.allmusic.com/album/seesaw-mw0002515681" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Seesaw</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">. What you hear is what was played: there are no overdubs or digital studio fixes. They replicate all but one track from the studio album ("Sunday Kind of Love") and five more from their 2011 offering </span><a class="album-link" href="http://www.allmusic.com/album/dont-explain-mw0002191058" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Don't Explain</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, and play some other covers and a long band jam called "Antwerp Jam" as a finale. </span><a class="name-link" href="http://www.allmusic.com/artist/hart-mn0000044776" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Hart</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> and </span><a class="name-link" href="http://www.allmusic.com/artist/bonamassa-mn0000118243" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Bonamassa</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"> are backed by a killer band to boot, including a full horn section, drummer </span><a class="name-link" href="http://www.allmusic.com/artist/anton-fig-mn0000925963" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Anton Fig</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, bassist </span><a class="name-link" href="http://www.allmusic.com/artist/carmine-rojas-mn0000182163" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Carmine Rojas</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, rhythm guitarist </span><a class="name-link" href="http://www.allmusic.com/artist/blondie-chaplin-mn0000052924" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Blondie Chaplin</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">, and keyboardist </span><a class="name-link" href="http://www.allmusic.com/artist/arlan-schierbaum-mn0002172039" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Arlan Schierbaum</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">. Highlights include their reading of</span><a class="name-link" href="http://www.allmusic.com/artist/delaney-bramlett-mn0000235121" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Delaney Bramlett</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s "Well, Well," </span><a class="name-link" href="http://www.allmusic.com/artist/ike-turner-mn0000080970" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Ike Turner</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s "Nutbush City Limits," "Sinner's Prayer," "Something's Got a Hold on Me," "Chocolate Jesus," "I Love You More Than You'll Ever Know," and, of course, </span><a class="name-link" href="http://www.allmusic.com/artist/ms-hart-mn0000044776" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Ms. Hart</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">'s devastating reading of </span><a class="name-link" href="http://www.allmusic.com/artist/etta-james-mn0000806542" style="background-color: white; color: #0e76bc; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 20px; text-decoration: none;">Etta James</a><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;">' "I'd Rather Go Blind." Given her considerable power and ability to convey a wide range of emotions, this is not merely a set for guitar god worshipers -- though there's plenty for them here, too</span><br />
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<span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 12px; line-height: 20px;"><a href="http://www1.zippyshare.com/v/UcJIuESB/file.html">1 </a> <a href="http://www6.zippyshare.com/v/xw2tITPk/file.html">2</a> <a href="http://www6.zippyshare.com/v/T9VVCWnv/file.html">3</a> <a href="http://www6.zippyshare.com/v/HWk27R4N/file.html"> 4</a></span>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-53391204808390465592015-03-25T13:19:00.002-07:002015-03-25T13:19:21.865-07:00back in business<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFRjYTsi_I_kIzlXtfBDaLzQLRlstmo567ejNSlYFNuCClujF-jLAYuw6p9bbh3zMe_fG5qlkV0P5gR2IS8xi9UtWQt1GVSaAnMiZycTArOzr8x1q8_1T3KJtShbarV77Jmj1O/s1600/a+Front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFRjYTsi_I_kIzlXtfBDaLzQLRlstmo567ejNSlYFNuCClujF-jLAYuw6p9bbh3zMe_fG5qlkV0P5gR2IS8xi9UtWQt1GVSaAnMiZycTArOzr8x1q8_1T3KJtShbarV77Jmj1O/s1600/a+Front.jpg" height="315" width="320" /></a></div>
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<a href="http://www40.zippyshare.com/v/KD0DR797/file.html">acá</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com1tag:blogger.com,1999:blog-19957086.post-20415420160047194692015-03-25T13:16:00.003-07:002015-03-25T13:16:42.921-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHSntVMGoXyHt47sRGITYo3v15jh3ixAbhUtSw5oeGn5RH7TmgjBFaswUy5L6SWKiZY2QZnoHB6EWU6QuCYnQRQbDZ6iTqIOKq43Rbt2o_NVSSNBnsctiw3x5OG-6FksAD7XJo/s1600/Front+Back.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHSntVMGoXyHt47sRGITYo3v15jh3ixAbhUtSw5oeGn5RH7TmgjBFaswUy5L6SWKiZY2QZnoHB6EWU6QuCYnQRQbDZ6iTqIOKq43Rbt2o_NVSSNBnsctiw3x5OG-6FksAD7XJo/s1600/Front+Back.jpg" height="220" width="400" /></a></div>
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<a href="http://www40.zippyshare.com/v/MxFnhK8a/file.html">acá</a> + <a href="http://www40.zippyshare.com/v/ns1RdpdW/file.html">acá</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-51497069861641331382015-03-25T13:13:00.001-07:002015-03-25T13:13:20.330-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6fa2c2d2M5pRUjr8hHUdJ6qAVWC_hXa33pCEHkXZKO20E9IwUwoKcnYRo4hWg68D_q6I_qEt9CEHD6g1RDzYd2YJ5YCiFgezu0dCtCR5DvQJALKItaNAYEFCYgTyS9aGkaDBv/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6fa2c2d2M5pRUjr8hHUdJ6qAVWC_hXa33pCEHkXZKO20E9IwUwoKcnYRo4hWg68D_q6I_qEt9CEHD6g1RDzYd2YJ5YCiFgezu0dCtCR5DvQJALKItaNAYEFCYgTyS9aGkaDBv/s1600/front.jpg" height="280" width="320" /></a></div>
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<a href="http://www40.zippyshare.com/v/Ev5AjGHR/file.html">acá</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-28519019599217666962015-03-25T05:31:00.001-07:002015-03-25T05:31:08.686-07:00TRabajando. Ningún link activo. Novedades pronto<br />
<br />Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-11250430953099604082015-02-21T15:14:00.001-08:002015-02-21T15:14:23.667-08:00PPS, Profundo y Prolongado Silencio<table border="0" cellpadding="14" cellspacing="0px" style="background-color: white; border-radius: 10px; color: #222222; font-family: arial, sans-serif; font-size: 12.8000001907349px; width: 100%px;"><tbody>
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Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com1tag:blogger.com,1999:blog-19957086.post-5647379269894326452014-09-23T14:59:00.001-07:002014-09-23T14:59:12.919-07:00add 1125 moon & moon<div class="separator" style="clear: both; text-align: center;">
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On its 2008 debut, VII ACTS OF AN IRON KING, the Brooklyn-based indie
ensemble Moon & Moon presents an avant-rock epic. Gilded by various
horns, woodwinds, and strings, the album melds freak folk with Wagnerian
opera, as best revealed on “Act IV: Come Down Like a Man,” which
features oddball troubadour Devendra Banhart.<br />
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<a href="https://mega.co.nz/#!dJBWAbDL!Fwr6HHUUYBwv8egMl1xGYD6_Gsy-CUsM_5rQ9LzGej4">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-2127988012089273352014-09-16T16:12:00.002-07:002014-09-16T16:12:18.612-07:001124 Steely Dan<div class="separator" style="clear: both; text-align: center;">
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<div class="text" itemprop="reviewBody" style="padding-bottom: 35px;">
Building from the jazz fusion foundation of <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>, <a class="name-link" href="http://www.allmusic.com/artist/steely-dan-mn0000011707">Steely Dan</a> created an alluringly sophisticated album of jazzy pop with <a class="album-link" href="http://www.allmusic.com/album/katy-lied-mw0000239621">Katy Lied</a>. With this record, <a class="name-link" href="http://www.allmusic.com/artist/walter-becker-mn0000237825">Walter Becker</a> and <a class="name-link" href="http://www.allmusic.com/artist/donald-fagen-mn0000153103">Donald Fagen</a>
began relying solely on studio musicians, which is evident from the
immaculate sound of the album. Usually, such a studied recording method
would drain the life out of each song, but that's not the case with <a class="album-link" href="http://www.allmusic.com/album/katy-lied-mw0000239621">Katy Lied</a>,
which actually benefits from the duo's perfectionist tendencies. Each
song is given a glossy sheen, one that accentuates not only the stronger
pop hooks, but also the precise technical skill of the professional
musicians drafted to play the solos. Essentially, <a class="album-link" href="http://www.allmusic.com/album/katy-lied-mw0000239621">Katy Lied</a> is a smoother version of <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>,
featuring the same cross-section of jazz-pop and blues-rock. The lack
of innovations doesn't hurt the record, since the songs are uniformly
brilliant. Less overtly cynical than previous <a class="name-link" href="http://www.allmusic.com/artist/dan-mn0000011707">Dan</a>
albums, the album still has its share of lyrical stingers, but what's
really notable are the melodies, from the seductive jazzy soul of
"Doctor Wu" and the lazy blues of "Chain Lightning" to the terse "Black
Friday" and mock calypso of "Everyone's Gone to the Movies." It's
another excellent record in one of the most distinguished rock &
roll catalogs of the '70s.<br />
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<a href="https://mega.co.nz/#!IRxm0KJL!8lDSg7H5UFkCq358mL6YcrksIB8XHXyjaY8HbGhvhNQ">aCá </a></div>
Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-65367454252651725512014-09-16T15:57:00.000-07:002014-09-16T15:57:37.497-07:00add 1125 Steely Dan<div class="separator" style="clear: both; text-align: center;">
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<a class="album-link" href="http://www.allmusic.com/album/countdown-to-ecstasy-mw0000191882">Countdown to Ecstasy</a> wasn't half the hit that <a class="album-link" href="http://www.allmusic.com/album/cant-buy-a-thrill-mw0000195859">Can't Buy a Thrill</a> was, and <a class="name-link" href="http://www.allmusic.com/artist/steely-dan-mn0000011707">Steely Dan</a> responded by trimming the lengthy instrumental jams that were scattered across <a class="album-link" href="http://www.allmusic.com/album/countdown-mw0000191882">Countdown</a> and concentrating on concise songs for <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>. Instead of relying on easy hooks, <a class="name-link" href="http://www.allmusic.com/artist/walter-becker-mn0000237825">Walter Becker</a> and <a class="name-link" href="http://www.allmusic.com/artist/donald-fagen-mn0000153103">Donald Fagen</a> assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>
is vibrant with unpredictable musical juxtapositions and snide, but
very funny, wordplay. Listen to how the album's hit single, "Rikki Don't
Lose That Number," opens with a syncopated piano line that evolves into
a graceful pop melody, or how the title track winds from a blues to a
jazzy chorus -- <a class="name-link" href="http://www.allmusic.com/artist/becker-mn0000237825">Becker</a> and <a class="name-link" href="http://www.allmusic.com/artist/fagen-mn0000153103">Fagen</a>'s
craft has become seamless while remaining idiosyncratic and thrillingly
accessible. Since the songs are now paramount, it makes sense that <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a> is less of a band-oriented album than <a class="album-link" href="http://www.allmusic.com/album/countdown-to-ecstasy-mw0000191882">Countdown to Ecstasy</a>, yet it is the richest album in their catalog, one where the backhanded <a class="name-link" href="http://www.allmusic.com/artist/dylan-mn0000066915">Dylan</a> tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." <a class="name-link" href="http://www.allmusic.com/artist/steely-dan-mn0000011707">Steely Dan</a> made more accomplished albums than <a class="album-link" href="http://www.allmusic.com/album/pretzel-logic-mw0000192000">Pretzel Logic</a>, but they never made a better one.<br />
<br />
<a href="https://mega.co.nz/#!hQRyATIZ!dVUaDyN-JgJKO1m--aVobAZiaIM1q3GgXJwnu9riq9g">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-53624176700560050332014-09-14T16:21:00.001-07:002014-09-14T16:21:25.801-07:00add 1123 bambi molesters<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_500/MI0002/548/MI0002548409.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_500/MI0002/548/MI0002548409.jpg?partner=allrovi.com" height="316" width="320" /></a></div>
Not many acts that continue for a few albums get a chance to go back and
take care of what they might see in retrospect as mistakes or tentative
starts. But there are always glorious exceptions -- thus, the course of
events that led to the Croatian surf-rock quartet <a class="name-link" href="http://www.allmusic.com/artist/the-bambi-molesters-mn0000038359">the Bambi Molesters</a> re-recording their 1997 debut, <a class="album-link" href="http://www.allmusic.com/album/dumb-loud-hollow-twang-mw0001409595">Dumb Loud Hollow Twang</a>,
in a "Deluxe" edition, with special guests, bonus tracks, and more
besides. What might have seemed a quixotic exercise gets explained in
the liner notes -- <a class="album-link" href="http://www.allmusic.com/album/dumb-loud-hollow-twang-mw0001409595">Dumb Loud Hollow Twang</a>'s
original run, though popular in surf-rock obsessive circles, had not
resulted in a reprint, while the group's growing popularity resulted in
further demand and attention for the album. The bandmembers themselves
felt the debut was far too rushed -- it was literally recorded in three
hours as a one-take rip with instrument leakage and bad mixing ruining
the impact -- so with more time to spare and a chance to flesh out the
sound, the result was 2003's <a class="album-link" href="http://www.allmusic.com/album/deluxe-mw0001409595">Deluxe</a>. The quartet's command of the surf vernacular is unparalleled -- guitarists <a class="name-link" href="http://www.allmusic.com/artist/dalibor-pavicic-mn0001846989">Dalibor Pavicic</a> and <a class="name-link" href="http://www.allmusic.com/artist/dinko-tomljanovic-mn0001951767">Dinko Tomljanovic</a> have the reverb down and rhythm section <a class="name-link" href="http://www.allmusic.com/artist/lada-mn0001934403">Lada</a> and <a class="name-link" href="http://www.allmusic.com/artist/hrvoje-zaborac-mn0001354225">Hrvoje Zaborac</a>
shift between mania and mood-out with ease. The guest musicians add
just the right touches -- keep an ear out for Neven Franges' piano on
the late-night menace of "Pearl Divin'," as well as on the smoky
Euro-spy vibe of "Sun Stroke" and a trumpet/sax duo on a variety of
songs adding some further sting. If the overall effect is pleasantly
reverential rather than a striking new reworking of surf and garage
roots, it's still a solid result that works beyond being a mere genre
exercise. The bonus tracks are all covers, and winners they are -- <a class="name-link" href="http://www.allmusic.com/artist/the-molesters-mn0000038359">the Molesters</a>' collaborator in the <a class="name-link" href="http://www.allmusic.com/artist/strange-mn0001066678">Strange</a> project, <a class="name-link" href="http://www.allmusic.com/artist/chris-eckman-mn0000693620">Chris Eckman</a>,
adds whispering menace to "Restless," the album's sole vocal track.
Best song title of the bunch -- "Beach Murder Mystery."<br />
<br />
<a href="http://www23.zippyshare.com/v/6441460/file.html">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-72037813372877187052014-09-13T07:26:00.001-07:002014-09-13T07:26:35.432-07:00add 1122 Jackson - Trane<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_500/MI0001/908/MI0001908234.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_500/MI0001/908/MI0001908234.jpg?partner=allrovi.com" height="316" width="320" /></a></div>
Vibraphonist <a class="name-link" href="http://www.allmusic.com/artist/milt-jackson-mn0000489845">Milt Jackson</a> and tenor saxophonist <a class="name-link" href="http://www.allmusic.com/artist/john-coltrane-mn0000175553">John Coltrane</a>
make for a surprisingly complementary team on this 1959 studio session,
their only joint recording. With fine backup by pianist <a class="name-link" href="http://www.allmusic.com/artist/hank-jones-mn0000558339">Hank Jones</a>, bassist <a class="name-link" href="http://www.allmusic.com/artist/paul-chambers-mn0000747984">Paul Chambers</a>, and drummer <a class="name-link" href="http://www.allmusic.com/artist/connie-kay-mn0000116605">Connie Kay</a>, Bags and Trane stretch out on two of <a class="name-link" href="http://www.allmusic.com/artist/jackson-mn0000489845">Jackson</a>'s
originals (including "The Late Late Blues") and three standards: a
romping "Three Little Words," "The Night We Called It a Day," and the
rapid "Be-Bop." This enjoyable music has been included as part of
Rhino's Heavyweight Champion: The Complete Atlantic Recordings box.<br />
<br />
<a href="https://mega.co.nz/#!VUw1ACBB!E4j7amc05zvkrbQ47ULtIXVmOWKQ775hJvOyGDHZ5Sc">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-5945126237311287642014-09-11T14:06:00.003-07:002014-09-11T14:06:44.969-07:00add 1120 Walking papers<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_400/MI0003/459/MI0003459448.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_400/MI0003/459/MI0003459448.jpg?partner=allrovi.com" height="280" width="320" /></a></div>
<pre style="-webkit-text-stroke-width: 0px; color: black; font-family: 'Courier New', Courier, monospace; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 10.800000190734863px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: pre-wrap; widows: auto; word-spacing: 0px; word-wrap: break-word;">Walking Papers is a bluesy post-grunge rock band formed by Jeff Angell and Barrett Martin, two long-serving veterans of the Seattle music scene. Jeff sang and played guitar for the bands Post Stardom Depression and The Missionary Position, and Barrett, a drummer and multi-instrumentalist, played for grunge pioneers Skin Yard and Screaming Trees, as well as the super groups Mad Season and Tuatara. This debut album features a stellar cast of musicians who have each added their unique musical voice to the album: The rumbling bass lines of Duff McKagan (Guns N' Roses, Velvet Revolver), the blistering guitar work of Mike McCready (Pearl Jam, Mad Season), the elegant keyboard stylings of Benjamin Anderson, and the soulful horn arrangements of Dave Carter, Dan Spalding, and Ed Ulman. The album was recorded by Catherine Ferrante at Avast Studios in Seattle, and mixed by Jack Endino at Soundhouse in Seattle. Album mastering was done by Chris Hanzsek at Hanzsek Audio.
Walking Papers show that a great song can be conveyed with thundering drums, rumbling bass, and a howling guitar just as easily as it can with percolating marimbas and shimmering vibraphone. The songs on this album can stand alone as individual stories, but taken together as a whole, they convey a much larger narrative with tales of wandering souls, the collisions of will, and the dark beauty of the American heart.
01 Already Dead 3:59
02 The Whole World's Watching 3:50
03 Your Secret's Safe With Me 4:13
04 Red Envelopes 3:41
05 Leave Me In The Dark 4:19
06 The Butcher 2:51
07 Two Tickets 5:05
08 I'll Stick Around 4:41
09 Capital T 4:55
10 A Place Like This 4:29
11 Independence Day 5:09 </pre>
<pre style="-webkit-text-stroke-width: 0px; color: black; font-family: 'Courier New', Courier, monospace; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 10.800000190734863px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: pre-wrap; widows: auto; word-spacing: 0px; word-wrap: break-word;"><a href="https://mega.co.nz/#!lMYnXRzS!_3-0NP9l1tSNz0M-NJ8kbHaZe-fVRofRDwH0BpnWQh0">aCá </a></pre>
Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-75197624870305216992014-09-09T15:56:00.001-07:002014-09-09T15:56:39.397-07:00add 1120 Nels Cline<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.littlebrotherrecords.com/pillow.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://www.littlebrotherrecords.com/pillow.jpg" /></a></div>
<div class="profile">
<h1 class="hide_mobile has_action_menu" id="profile_title">
<span itemprop="byArtist" itemscope="" itemtype="http://schema.org/MusicGroup">
<span itemprop="name" title="Nels Cline">
<a href="http://www.discogs.com/artist/247084-Nels-Cline">Nels Cline</a> & </span>
<span itemprop="name" title="Thurston Moore">
<a href="http://www.discogs.com/artist/2108-Thurston-Moore">Thurston Moore</a> </span>
</span>
–
<span itemprop="name">
Pillow Wand
</span>
</h1>
<div class="head">
Label:</div>
<div class="content">
<a href="http://www.discogs.com/label/59118-Skycap">Skycap</a> – cap001,
<a href="http://www.discogs.com/label/35548-Little-Brother-Records">Little Brother Records</a> – LB011
</div>
<div class="head">
Format:</div>
<div class="content">
<a href="http://www.discogs.com/search/?format_exact=CD">CD</a>, Album
</div>
<div class="head">
Country:</div>
<div class="content">
<a href="http://www.discogs.com/search/?country=Europe">
Europe
</a>
</div>
<div class="head">
Released:</div>
<div class="content">
<a href="http://www.discogs.com/search/?decade=1990&year=1997">
1997
</a>
</div>
<div class="head">
Genre:</div>
<div class="content" itemprop="genre">
<a href="http://www.discogs.com/search/?genre_exact=Rock">Rock</a>
</div>
<div class="head">
Style:</div>
<div class="content">
<a href="http://www.discogs.com/search/?style_exact=Ethereal">Ethereal</a>, <a href="http://www.discogs.com/search/?style_exact=Experimental">Experimental</a>
</div>
</div>
<div class="section tracklist" data-toggle="tracklist" id="tracklist">
<h3 class="group">
Tracklist </h3>
<div class="section_content">
<table class="playlist" itemscope="" itemtype="http://schema.org/MusicGroup">
<tbody>
<tr class="first tracklist_track track" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos">1</td>
<td class="track tracklist_track_title "><span class="tracklist_track_title" itemprop="name">Burnt Klubgirl Lid Tone</span></td>
<td class="tracklist_track_duration" width="25">9:43
</td>
</tr>
<tr class=" tracklist_track track" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos">2</td>
<td class="track tracklist_track_title "><span class="tracklist_track_title" itemprop="name">Blues For Helen Burns</span></td>
<td class="tracklist_track_duration" width="25">15:46
</td>
</tr>
<tr class=" tracklist_track track" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos">3</td>
<td class="track tracklist_track_title "><span class="tracklist_track_title" itemprop="name">Tommy Hall Dragnet</span></td>
<td class="tracklist_track_duration" width="25">10:56
</td>
</tr>
<tr class=" tracklist_track track" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos">4</td>
<td class="track tracklist_track_title "><span class="tracklist_track_title" itemprop="name">We Love Our Blood</span></td>
<td class="tracklist_track_duration" width="25">13:30
</td>
</tr>
<tr class=" tracklist_track track" itemprop="track" itemscope="" itemtype="http://schema.org/MusicRecording">
<td class="tracklist_track_pos">5</td>
<td class="track tracklist_track_title "><span class="tracklist_track_title" itemprop="name">I Inhale You</span></td>
<td class="tracklist_track_duration" width="25">15:59
</td>
</tr>
</tbody></table>
</div>
</div>
<div class="section companies toggle_section toggle_section_remember" data-toggle-section-id="companies" id="companies">
<h3 class="toggle_section_control" data-for=".companies">
Companies etc
</h3>
<div class="section_content toggle_section_content">
<ul class="list_no_style">
<li>
<span class="type">Licensed To</span>
–
<a href="http://www.discogs.com/label/59118-Skycap">Skycap</a>
</li>
<li>
<span class="type">Recorded At</span>
–
<a href="http://www.discogs.com/label/286229-NewZone-Studios">NewZone Studios</a>
</li>
</ul>
</div>
</div>
<div class="section credits toggle_section toggle_section_remember" data-toggle-section-id="credits" id="credits">
<h3 class="toggle_section_control" data-for=".credits">
Credits
</h3>
<div class="section_content toggle_section_content">
<ul class="list_no_style">
<li>
<span class="role">Artwork [Art Handletters]</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/2458845-Stephanie-Zirkle" target="_blank">Stephanie Zirkle</a> </li>
<li>
<span class="role">Guitar [Electric Fly-hair Gtr/switch Action*grease]</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/2108-Thurston-Moore" target="_blank">Thurston Moore</a> </li>
<li>
<span class="role">Guitar [Electric Wind-burn Gtr/psych Flurry Girl*sting]</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/247084-Nels-Cline" target="_blank">Nels Cline</a> </li>
<li>
<span class="role">Mastered By</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/250892-Geoff-Sykes" target="_blank">Geoff Sykes</a> </li>
<li>
<span class="role">Photography By [Cover Photo Of Wendy]</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/2243071-Christy-Bush" target="_blank">Christy Bush</a> </li>
<li>
<span class="role">Recorded By</span>
–
<a class="rollover_link" href="http://www.discogs.com/artist/656005-Wayne-Peet" target="_blank">Wayne Peet</a> </li>
</ul>
</div>
</div>
<h3 class="toggle_section_control" data-for=".notes">
Notes
</h3>
Recorded 12/30/96 at New Zone Studio.
<br />
Mastered at A&M.<br />
<br />
<a href="https://mega.co.nz/#!xJwGzJZZ!N1MnIoHMq905uqTIHLx6R291vV_5zdYw5McdDbg6SRs">aCá </a><br />
<h3 class="r">
<a href="http://www.google.com.uy/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CB4QFjAA&url=http%3A%2F%2Fwww.littlebrotherrecords.com%2Fpillowwand.html&ei=04QPVKXRFa_7sASzlIGoAQ&usg=AFQjCNGvxawrKgo97v5UAEioOXclKsPq-g&sig2=y5bNu_paodZ5Dhti-EgL2Q&bvm=bv.74649129,d.cWc"></a></h3>
Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-15914014708339135052014-09-09T15:56:00.000-07:002014-09-09T15:56:12.415-07:00add 1119 Nels Cline<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_500/MI0002/977/MI0002977999.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_500/MI0002/977/MI0002977999.jpg?partner=allrovi.com" height="320" width="320" /></a></div>
Those who find avant-garde jazz and free improvisation to be too
abrasive are advised to check out this album, on which guitarist <a class="name-link" href="http://www.allmusic.com/artist/nels-cline-mn0000861400">Nels Cline</a> is joined by bass wizard <a class="name-link" href="http://www.allmusic.com/artist/mark-dresser-mn0000090936">Mark Dresser</a>, drummer <a class="name-link" href="http://www.allmusic.com/artist/billy-mintz-mn0000075073">Billy Mintz</a>, and downtown legend <a class="name-link" href="http://www.allmusic.com/artist/zeena-parkins-mn0000598083">Zeena Parkins</a>
on electric and acoustic harp. Make no mistake about it, this music
(some of which is composed and some improvised) is definitely
challenging: tonal centers, when they exist, shift unpredictably, and <a class="name-link" href="http://www.allmusic.com/artist/dresser-mn0000090936">Dresser</a> and <a class="name-link" href="http://www.allmusic.com/artist/parkins-mn0000598083">Parkins</a>
in particular make almost constant use of extended techniques that
allow them to pull otherworldly sounds from their instruments. But the
musical textures are generally quite delicate, and even when the music
is atonal it's often very beautiful, even by conventional measures.
"Alstromeria," in particular, features some lovely passages on which
interlocked harp and guitar arpeggios march gently beneath <a class="name-link" href="http://www.allmusic.com/artist/dresser-mn0000090936">Dresser</a>'s quietly wailing line of artificial harmonics, and the startlingly tortured sounds that <a class="name-link" href="http://www.allmusic.com/artist/parkins-mn0000598083">Parkins</a>
elicits from her electric harp on "Spider Wisdom" (one of the more
difficult pieces on this album) are lots of fun. Melodically, <a class="name-link" href="http://www.allmusic.com/artist/cline-mn0000861400">Cline</a> is clearly influenced by <a class="name-link" href="http://www.allmusic.com/artist/derek-bailey-mn0000763506">Derek Bailey</a>,
but his tone and execution are all his, and his compositions reward the
effort it sometimes takes to follow them. Recommended.<br />
<br />
<a href="https://mega.co.nz/#!lcwgCZYL!5DOBitd0UeDk2l0JMMMATmXO36W_Vjhkf-J18zTnJ2M">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com1tag:blogger.com,1999:blog-19957086.post-40406391040884063372014-09-06T12:05:00.001-07:002014-09-06T12:05:46.580-07:00add 1118 John García<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_500/MI0003/774/MI0003774979.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_500/MI0003/774/MI0003774979.jpg?partner=allrovi.com" height="281" width="320" /></a></div>
<br />
<br />
<br />
<br />
<a href="https://mega.co.nz/#!AEAggKTS!1LYaHOx7MAMMUYhVjhi2DB1Bsx1qrY1KAQmCB190cHo">Acá</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-28922861819095688632014-09-06T11:57:00.003-07:002014-09-06T11:57:31.898-07:00add 1117 Kyuss<div class="separator" style="clear: both; text-align: center;">
<a href="http://cps-static.rovicorp.com/3/JPG_500/MI0002/303/MI0002303738.jpg?partner=allrovi.com" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://cps-static.rovicorp.com/3/JPG_500/MI0002/303/MI0002303738.jpg?partner=allrovi.com" height="316" width="320" /></a></div>
With <a class="name-link" href="http://www.allmusic.com/artist/josh-homme-mn0000828897">Josh Homme</a>'s guitar tuned down two whole steps to C, and plugged into a bass amp for maximum distortion, stoner metal pioneers <a class="name-link" href="http://www.allmusic.com/artist/kyuss-mn0000776011">Kyuss</a> achieve a major milestone in heavy music with their second album, 1992's <a class="album-link" href="http://www.allmusic.com/album/blues-for-the-red-sun-mw0000077544">Blues for the Red Sun</a>. Producer <a class="name-link" href="http://www.allmusic.com/artist/chris-goss-mn0000113427">Chris Goss</a>
masterfully captures the band's unique heavy/light formula, which
becomes apparent as soon as the gentle but sinister intro melody gives
way to the chugging main riff in the opener, "Thumb." This segues
immediately into the galloping "Green Machine," which pummels forward
inexorably and even features that rarest rock & roll moment: a bass
solo. "Thong Song" alternates rumbling guitar explosions with almost
complete silence, and "Mondo Generator" plays like an extended acid
trip. The slow build of the epic "Freedom Run" and the driving "Allen's
Wrench" are also highlights, and though the album is heavy on
instrumentals, these actually provide a seamless transition from song to
song.<br />
<br />
<a href="https://mega.co.nz/#!YExADRhb!Ku1O9eqSu_LTkzWoLj7sJV8y4pmlyr-Jhe1xa8vzEzs">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-78625530618717400312014-09-05T13:21:00.001-07:002014-09-05T13:21:22.143-07:00add 1116 Blackberry Smoke<div class="separator" style="clear: both; text-align: center;">
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Building on the <a class="name-link" href="http://www.allmusic.com/artist/lynyrd-skynyrd-mn0000170369">Lynyrd Skynyrd</a>
Southern rock template, with a good dose of outlaw honky tonk country
and a little bit of bluegrass, gospel, and R&B mixed in, <a class="name-link" href="http://www.allmusic.com/artist/blackberry-smoke-mn0001945132">Blackberry Smoke</a> (singer/guitarist <a class="name-link" href="http://www.allmusic.com/artist/charlie-starr-mn0002691768">Charlie Starr</a>, guitarist/singer <a class="name-link" href="http://www.allmusic.com/artist/paul-jackson-mn0002691772">Paul Jackson</a>, bassist/singer <a class="name-link" href="http://www.allmusic.com/artist/richard-turner-mn0002691813">Richard Turner</a>, keyboardist <a class="name-link" href="http://www.allmusic.com/artist/brandon-still-mn0001892929">Brandon Still</a>, and drummer <a class="name-link" href="http://www.allmusic.com/artist/brit-turner-mn0000934637">Brit Turner</a>)
formed in Atlanta, Georgia, in 2000 and quickly built a loyal fan base
on the Southern tour circuit, opening for top-tier acts like <a class="name-link" href="http://www.allmusic.com/artist/lynyrd-skynyrd-mn0000170369">Lynyrd Skynyrd</a>, <a class="name-link" href="http://www.allmusic.com/artist/zz-top-mn0000690254">ZZ Top</a>, <a class="name-link" href="http://www.allmusic.com/artist/the-zac-brown-band-mn0001021310">the Zac Brown Band</a>, <a class="name-link" href="http://www.allmusic.com/artist/george-jones-mn0000944310">George Jones</a>, and others. The group released a debut album, <a class="album-link" href="http://www.allmusic.com/album/bad-luck-aint-no-crime-mw0000208155">Bad Luck Ain't No Crime</a>, in 2004 on Cock of the Walk Records<br />
<br />
<a href="https://mega.co.nz/#!dFJwFRRR!xdYZzEWqA93b46PQ-nQQfFZS29eXppnRCXuWAJ221Vs">aCá</a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-25466117980935805142014-09-05T13:20:00.002-07:002014-09-05T13:20:45.138-07:00add 1117 Blackberry Smoke<div class="separator" style="clear: both; text-align: center;">
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On their sophomore full-length CD, <a class="album-link" href="http://www.allmusic.com/album/little-piece-of-dixie-mw0000818132">Little Piece of Dixie</a>, the five members of <a class="name-link" href="http://www.allmusic.com/artist/blackberry-smoke-mn0001945132">Blackberry Smoke</a> (singer/guitarist <a class="name-link" href="http://www.allmusic.com/artist/charlie-starr-mn0002691768">Charlie Starr</a>, guitarist/singer <a class="name-link" href="http://www.allmusic.com/artist/paul-jackson-mn0002691772">Paul Jackson</a>, bassist/singer <a class="name-link" href="http://www.allmusic.com/artist/richard-turner-mn0002691813">Richard Turner</a>, keyboardist <a class="name-link" href="http://www.allmusic.com/artist/brandon-still-mn0001892929">Brandon Still</a>, and drummer <a class="name-link" href="http://www.allmusic.com/artist/brit-turner-mn0000934637">Brit Turner</a>) play Southern rock in the <a class="name-link" href="http://www.allmusic.com/artist/lynyrd-skynyrd-mn0000170369">Lynyrd Skynyrd</a> tradition. <a class="name-link" href="http://www.allmusic.com/artist/starr-mn0002691768">Starr</a> has a strong, twangy voice, and he and <a class="name-link" href="http://www.allmusic.com/artist/jackson-mn0002691772">Jackson</a>
keep the heavy riffs coming in country-rock songs extolling the virtues
of a Southern, blue-collar man's blowing off steam by drinking, driving
around, and maybe enjoying a little female companionship. Typical of
the material is "Bottom of This," in which a man gets home from work and
asks to be allowed to at least have one beer before he has to engage
domestic problems or talk politics. Although the band is much closer to
rock than outlaw country, the album has a clear Nashville leaning,
produced by <a class="name-link" href="http://www.allmusic.com/artist/dann-huff-mn0000566403">Dann Huff</a> and <a class="name-link" href="http://www.allmusic.com/artist/justin-niebank-mn0000259501">Justin Niebank</a>, and featuring some formula Music City songwriting. At the end, <a class="name-link" href="http://www.allmusic.com/artist/blackberry-smoke-mn0001945132">Blackberry Smoke</a>
try for an anthem with "Freedom Song," another paean to hitting the
road in the pickup truck and putting a cowboy boot to the gas pedal in
search of escape from a workingman's troubles. But when <a class="name-link" href="http://www.allmusic.com/artist/starr-mn0002691768">Starr</a>
declares his desire to "sing along to my freedom song" on the radio as
the guitars play a familiar twin-lead part, it seems likely that the
song he really has in mind is <a class="name-link" href="http://www.allmusic.com/artist/skynyrd-mn0000170369">Skynyrd</a>'s "Free Bird," not something by his own band.<br />
<br />
<a href="https://mega.co.nz/#!oVZUQapY!pFTt72RbYGOs03ZYa5tEAj0KZMFFlQI_9rFAykuj-w0">aCá</a> Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-48944214290881144372014-09-01T16:12:00.000-07:002014-09-01T16:12:13.576-07:00add 1115 John McLaughlin<div class="separator" style="clear: both; text-align: center;">
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<a class="name-link" href="http://www.allmusic.com/artist/john-mclaughlin-mn0000223701">John McLaughlin</a> toured the U.S. during the summer of 2013 with his multi-cultural band <a class="name-link" href="http://www.allmusic.com/artist/the-4th-dimension-mn0002140132">the 4th Dimension</a>, which included <a class="name-link" href="http://www.allmusic.com/artist/gary-husband-mn0000739464">Gary Husband</a> on keyboards and drums, <a class="name-link" href="http://www.allmusic.com/artist/etienne-mbappe-mn0000174876">Etienne Mbappe</a> on bass, and <a class="name-link" href="http://www.allmusic.com/artist/ranjit-barot-mn0001888032">Ranjit Barot</a>
on drums. The final concert in Boston, held at the Berklee College of
Music, was recorded for live release. This fiery set features pieces
from <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a>'s then-recent albums <a class="album-link" href="http://www.allmusic.com/album/now-here-this-mw0002418776">Now Here This</a> and <a class="album-link" href="http://www.allmusic.com/album/to-the-one-mw0001970053">To the One</a>, but also sees him revisiting one of his classic <a class="name-link" href="http://www.allmusic.com/artist/mahavishnu-orchestra-mn0000233862">Mahavishnu Orchestra</a> songs, "You Know, You Know."<br />
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<a href="https://mega.co.nz/#!ZcZDQYSa!1Nyq3xDWsJwVB9P8MmXOOdIIq6IGNS8dUTo6OrnJFX4">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-29008343667799419632014-09-01T15:55:00.001-07:002014-09-01T15:55:06.832-07:00add 1114 John Mclaughlin<div class="separator" style="clear: both; text-align: center;">
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For anyone who's paid attention to <a class="name-link" href="http://www.allmusic.com/artist/john-mclaughlin-mn0000223701">John McLaughlin</a>'s
recorded output since the turn of the century, it's obvious that he's
been on a creative streak unequaled since his days as a <a class="name-link" href="http://www.allmusic.com/artist/miles-davis-mn0000423829">Miles Davis</a> sideman and his early <a class="name-link" href="http://www.allmusic.com/artist/mahavishnu-orchestra-mn0000233862">Mahavishnu Orchestra</a> recordings. Whether it's his two <a class="album-link" href="http://www.allmusic.com/album/remember-shakti-mw0000220330">Remember Shakti</a> sets, or the guitar-and-strings offering that was <a class="album-link" href="http://www.allmusic.com/album/thieves-and-poets-mw0000325033">Thieves and Poets</a>, the Indian carnatic intensity of his <a class="album-link" href="http://www.allmusic.com/album/floating-point-mw0000785195">Floating Point</a> band, or his forays into fiery, improvisational jazz-rock terrain on <a class="album-link" href="http://www.allmusic.com/album/industrial-zen-mw0000729265">Industrial Zen</a>, the evidence is clear. With his latest band, <a class="name-link" href="http://www.allmusic.com/artist/the-4th-dimension-mn0002140132">the 4th Dimension</a>, <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a> has been on a tear. The band's first offering, <a class="album-link" href="http://www.allmusic.com/album/to-the-one-mw0001970053">To the One</a>, is a direct jazz-rock investigation of <a class="name-link" href="http://www.allmusic.com/artist/john-coltrane-mn0000175553">John Coltrane</a>'s influence on <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a>'s musical thinking. <a class="album-link" href="http://www.allmusic.com/album/now-here-this-mw0002418776">Now Here This</a>
is a knottier jazz-rock fusion offering -- with all the positive
connotations of that word and none of the negative. Keyboardist <a class="name-link" href="http://www.allmusic.com/artist/gary-husband-mn0000739464">Gary Husband</a> and Cameroonian über-bassist <a class="name-link" href="http://www.allmusic.com/artist/etienne-mbapp%C3%A9-mn0000174876">Etienne M'Bappé</a> are holdovers from <a class="album-link" href="http://www.allmusic.com/album/to-the-one-mw0001970053">To the One</a>, while drummer <a class="name-link" href="http://www.allmusic.com/artist/mark-mondesir-mn0000243541">Mark Mondesir</a> has been replaced by <a class="name-link" href="http://www.allmusic.com/artist/ranjit-barot-mn0001888032">Ranjit Barot</a>, who helmed the kit on <a class="album-link" href="http://www.allmusic.com/album/floating-point-mw0000785195">Floating Point</a>. <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a> and <a class="name-link" href="http://www.allmusic.com/artist/the-4th-dimension-mn0002140132">the 4th Dimension</a> marry propulsive prog rock to Indian modalities to serious grooves (thanks in no small part to <a class="name-link" href="http://www.allmusic.com/artist/mbapp%C3%A9-mn0000174876">M'Bappé</a>'s wildly funky, virtuosic bass playing and <a class="name-link" href="http://www.allmusic.com/artist/barot-mn0001888032">Barot</a>'s
triple-timed breaks and fills). Check opener "Trancefusion" for
evidence of kinetic, infectious stop-and-start fusion that keeps rock
and jazz in dynamic tension. "Riff Raff" careens with funky bass and
keyboard interplay and massive guitar and drum kit grooves. "Echoes from
Then" showcases <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a>'s frenetically rhythmic rock soloing on an extended bass and keyboard vamp, while "Call and Answer" allows <a class="name-link" href="http://www.allmusic.com/artist/husband-mn0000739464">Husband</a>
to show off his post-bop chops in fluid right-hand flourishes. For
balance, there are a couple of mellower cut such as "Wonderfall" (with
lovely, languid bass work from <a class="name-link" href="http://www.allmusic.com/artist/mbapp%C3%A9-mn0000174876">M'Bappé</a>) and "Not Here, Not There," a more R&B-oriented, midtempo, jazz-funk vamp that features lyric, emotive playing from <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a>.
"Guitar Love" is a more rock-based jam, while closer "Take It or Leave
It" mines Indian harmony, complex syncopation, and spacey funk with
intuitive guitar and keyboard exchanges. <a class="album-link" href="http://www.allmusic.com/album/now-here-this-mw0002418776">Now Here This</a> not only continues the excellent run of albums <a class="name-link" href="http://www.allmusic.com/artist/mclaughlin-mn0000223701">McLaughlin</a>'s amassed in the 21st century, it also displays <a class="name-link" href="http://www.allmusic.com/artist/the-4th-dimension-mn0002140132">the 4th Dimension</a> not as a group of sidemen, but as an exciting working band which possesses depth, breadth, and imagination.<br />
<br />
<a href="https://mega.co.nz/#!kYw22Y4A!Ubhsh9vow6PiJYTx3egLP-rs21GRBYOYkUDEFIYXSd8">aCá</a> Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-76350567563403811952014-08-30T13:47:00.001-07:002014-08-30T13:47:35.663-07:00Add 1113 Tangerine Dream<div class="separator" style="clear: both; text-align: center;">
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Fans generally acknowledge the classic era of <a class="name-link" href="http://www.allmusic.com/artist/tangerine-dream-mn0000002411">Tangerine Dream</a> as coinciding with their Virgin years, which this collection rounds up nicely, opening with two landmarks, <a class="album-link" href="http://www.allmusic.com/album/phaedra-mw0000652158">Phaedra</a> and <a class="album-link" href="http://www.allmusic.com/album/rubycon-mw0000198494">Rubycon</a>, then including the group's broadening of scope and direction with the live <a class="album-link" href="http://www.allmusic.com/album/ricochet-mw0000195742">Ricochet</a>, <a class="album-link" href="http://www.allmusic.com/album/stratosfear-mw0000202498">Stratosfear</a>, and <a class="album-link" href="http://www.allmusic.com/album/cyclone-mw0000198205">Cyclone</a>. This was directly after the early avant-garde years, consisting of experimental, arrhythmic work like <a class="album-link" href="http://www.allmusic.com/album/atem-mw0000191999">Atem</a> and <a class="album-link" href="http://www.allmusic.com/album/electronic-meditation-mw0000650868">Electronic Meditation</a>, and before the Hollywood years, when <a class="name-link" href="http://www.allmusic.com/artist/edgar-froese-mn0000147638">Edgar Froese</a> and co. began composing work for movie scores like <a class="album-link" href="http://www.allmusic.com/album/risky-business-mw0000457481">Risky Business</a>. <a class="album-link" href="http://www.allmusic.com/album/phaedra-mw0000652158">Phaedra</a> and <a class="album-link" href="http://www.allmusic.com/album/rubycon-mw0000198494">Rubycon</a> have not dated at all since their early-‘70s recording, despite <a class="name-link" href="http://www.allmusic.com/artist/froese-mn0000147638">Froese</a>, <a class="name-link" href="http://www.allmusic.com/artist/peter-baumann-mn0000320056">Peter Baumann</a>, and <a class="name-link" href="http://www.allmusic.com/artist/chris-franke-mn0000777000">Chris Franke</a>’s
early adoption of Moog technology, along with Mellotron and other
electric or electronic instruments. Along with the full LPs in their
most recent remastering, the collection also rounds up single edits and
7” versions when they were originally available.<br />
<br />
<a href="https://mega.co.nz/#!ZZY0XbKa!zHjcvVx7kxdPjNisZ-84zu5i9K4P2srYuZeZg0B72_0">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0tag:blogger.com,1999:blog-19957086.post-65077506845257531792014-08-29T12:38:00.000-07:002014-08-29T12:38:35.702-07:00add 1112 Joni 1976<div class="separator" style="clear: both; text-align: center;">
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<a class="name-link" href="http://www.allmusic.com/artist/joni-mitchell-mn0000270491">Joni Mitchell</a>'s <a class="album-link" href="http://www.allmusic.com/album/hejira-mw0000194905">Hejira</a>
is the last in an astonishingly long run of top-notch studio albums
dating back to her debut. Some vestiges of her old style remain here;
"Song for Sharon" utilizes the static, pithy vocal harmonies from <a class="album-link" href="http://www.allmusic.com/album/ladies-of-the-canyon-mw0000651395">Ladies of the Canyon</a>'s "Woodstock," "Refuge of the Roads" features woodwind touches reminiscent of those in "Barangrill" from <a class="album-link" href="http://www.allmusic.com/album/for-the-roses-mw0000191040">For the Roses</a>, and "Coyote" is a fast guitar-strummed number that has precedents as far back as <a class="album-link" href="http://www.allmusic.com/album/clouds-mw0000192763">Clouds</a>'
"Chelsea Morning." But by and large, this release is the most overtly
jazz-oriented of her career up to this point -- hip and cool, but never
smug or icy. "Blue Motel Room" in particular is a prototypic slow
jazz-club combo number, appropriately smooth, smoky, and languorous.
"Coyote," "Black Crow," and the title track are by contrast
energetically restless fast-tempo selections. The rest of the songs here
cleverly explore variants on mid- to slow-tempo approaches. None of
these cuts are traditionally tuneful in the manner of <a class="name-link" href="http://www.allmusic.com/artist/mitchell-mn0000270491">Mitchell</a>'s
older folk efforts; the effect here is one of subtle rolls and ridges
on a green meadow rather than the outgoing beauty of a flower garden. <a class="name-link" href="http://www.allmusic.com/artist/mitchell-mn0000270491">Mitchell</a>'s
verses, many concerned with character portraits, are among the most
polished of her career; the most striking of these studies are that of
the decrepit Delta crooner of "Furry Sings the Blues" and the ambivalent
speaker of "Song to Sharon," who has difficulty choosing between
commitment and freedom. Arrangements are sparse, yet surprisingly
varied, the most striking of which is the kaleidoscopically
pointillistic one used on "Amelia." Performances are excellent, with
special kudos reserved for <a class="name-link" href="http://www.allmusic.com/artist/jaco-pastorius-mn0000113480">Jaco Pastorius</a>' melodic bass playing on "Refuge of the Roads" and the title cut. This excellent album is a rewarding listen.<br />
<br />
<a href="https://mega.co.nz/#!8FJQVTSJ!g7C4Mr8jYltCPnFBxTQGA3HLcuhBTVwh5-ExJ7jqYYA">aCá </a>Tomás Eastmanhttp://www.blogger.com/profile/01784512118943286381noreply@blogger.com0