hermeto pascoal

Eu E Eles

Chorinho Mec	Hermeto Pascoal	Hermeto Pascoal	(3:52)
Viva Jackson Do Pandeiro	Hermeto Pascoal	Hermeto Pascoal	(2:23)
Caminho Do Sol	Hermeto Pascoal	Hermeto Pascoal	(1:21)
A Sua Benção, Brasil	Hermeto Pascoal	Hermeto Pascoal	(3:40)
Fauna Universal	Hermeto Pascoal	Hermeto Pascoal	(3:34)
Vai Um Chimarrão, Tche?	Hermeto Pascoal	Hermeto Pascoal	(4:15)
Miscelânia Vanguardiosa	Hermeto Pascoal	Hermeto Pascoal	(5:10)
Linguagens and Costumes	Hermeto Pascoal	Hermeto Pascoal	(3:30)
Mercosom	Hermeto Pascoal	Hermeto Pascoal	(4:26)
Boiada	Hermeto Pascoal	Hermeto Pascoal	(3:58)
Capelinha and Lembranças	Hermeto Pascoal	Hermeto Pascoal	(5:37)
Parquinho Do Passado, Presente E Futuro	Hermeto Pascoal	Hermeto Pascoal	(3:01)

Credits

Hermeto Pascoal (Organ), Hermeto Pascoal (Bass), Hermeto Pascoal (Flute), Hermeto Pascoal(Percussion),

 Hermeto Pascoal (Piano), Hermeto Pascoal (Tuba), Hermeto Pascoal (Bongos), Hermeto Pascoal (Flugelhorn), Hermeto Pascoal (Flute (Bass)), Hermeto Pascoal (Sax (Soprano)), Hermeto Pascoal(Triangle), Hermeto Pascoal (Vocals), Hermeto Pascoal (Pandeiro), Hermeto Pascoal (Rhythm), Hermeto Pascoal (Surdo), Hermeto Pascoal (Cavaquinho), Hermeto Pascoal (Main Performer), Hermeto Pascoal(Liner Notes), Hermeto Pascoal (Bombo), Hermeto Pascoal (Zabumba), Hermeto Pascoal (Mixing),Hermeto Pascoal (Make-Up), Hermeto Pascoal (Bombard), Hermeto Pascoal (Musical Direction), Hermeto Pascoal (Bandola), Hermeto Pascoal (Effects), Hermeto Pascoal (Bamboo Flute), Hermeto Pascoal(Campana), Hermeto Pascoal (Chocalhos), Hermeto Pascoal (Costume Design), Hermeto Pascoal (Tarola),Hermeto Pascoal (Apito), Hermeto Pascoal (Prato), Hermeto Pascoal (Sanfona), Hermeto Pascoal(Arranjo), Hermeto Pascoal (Escaleta), Fabio Pascoal (Producer), Fabio Pascoal (Mixing), Carlos Sobral(Studio Assistant), Marcelo Vianna (Graphic Design)

http://www.answers.com

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Slaves Mass

Not strictly a jazz album in the strict sense (it was originally issue d as part of the Masters of MPB on LP in 1977), Slaves Mass has strong compositional themes among its seven tracks. The maestro Hermeto Pascoal plays everything from flutes, sopran o saxophone, guitar, Fender Rhodes, acoustic piano and clavinet on this set, and enlists help from Ron Carter, Airto, Flora Purim, Raul DeSouza, David Maro and others. "Mixing Pot," is the opener and an anomaly in that it is a vanguard fusion tune where Pascoal really digs in and improvises. It also features the only appearance on this set of Alphonso Johnson on electric bass. In "Missa Dos Escravos," the title track, Pascoal's emblematic pig gives his first growls in a song dominated by Brazilian Indian references. Wonderfully and intricately composed, it centers around folk tropes. "Chorinho Para Ele" is a beautiful and modern choro with a somewhat challenging glissando bridge that really proposed new directions for the traditional genre. "Aquela Valsa" is a beautiful six/eight theme that turns into a samba with a beautiful trombone solo by DeSouza. "Cannon" is an utterly improvisational piece that meanders and winds around Pascoal's flute solo. Atonalism dominates the piano solo in "Escuta Meu Piano," which also presents bits and pieces of different styles (like baião) and folk songs. Hot samba improvisation is found in "Geléia de Cereja," that slips and slides through a variety of schema and dynamic changes without much internal focus, but it is a compelling bit of creative anarchy nonetheless in that it displays Pascoal's full range of restless musical and textural impulses -- as well as a beautiful soprano solo. Slaves Masswas finally issued on CD by Collectables in the United States in 2005.

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